What do "Closer," "Alfie,"
"Lemony Snicket's," "I Heart Huckabees," "Sky Captain and the
World of Tomorrow," and "The Aviator" all have in common? Jude
Law, or as People magazine now refers to him: the
'Sexiest Man Alive.' Sure, he's handsome. And talented? There's
no disputing the man has what it takes. Whether it's playing a
womanizing cad, saving lives as a dashing pilot, or, as in the
case of "Closer," simply playing a flawed human being in search
of the ideal love, Law doesn't merely get by on his charm and
good looks. No, he seems to get by despite his almost
overwhelmingly handsome features. With six movies released in a
matter of just a few months, Law's just hoping audiences don't
tire of seeing his dashing mug on the big screen.
Jude Law has the distinction of being the only
actor I've ever become tongue-tied interviewing.
While asking Law about his work in "Sky Captain,"
he'd answer my questions and I'd completely space out on what he
was talking about. It's the eyes, I swear it is. Even his
co-stars say there's something almost hypnotic about him.
Speaking to People, Law's "Cold Mountain" love interest
Nicole Kidman said, "His warmth is what makes him sexy, and it
radiates through his eyes." Thank you Nicole Kidman. I feel
vindicated.Getting back to the topic at
hand - Law's role in "Closer" - here's what one of the busiest
actors on earth had to say about working on "Closer" and working
with director Mike Nichols. Law also provides an update on a
potential "Sky Captain" sequel, shares his thoughts on "Alfie,"
and talks about being labeled the Sexiest Man Alive:
INTERVIEW WITH JUDE LAW ('Dan'):
What about the source material attracted
you to this movie? Had you seen the play before working on the
film?
I saw the play when Clive [Owen] was in it and I saw it again in
the West End. I'd seen Patrick [Marber's] first play, "Dealer's
Choice," and I was also a big fan of Patrick's work prior to
that with "Alan Partridge" and "The Day Today," and I was just
desperate to work with him. Then, to have a call from Mike
Nichols who was working on Patrick's script was just a team made
in heaven, really.
What did you like about the script?
I liked its honesty. I liked the fact that there was such a
condensed arc of a journey for each and everyone, that there was
an opportunity for each and everyone to show just about
everything - vulnerability, strength, anger, innocence,
cynicisms. And I just liked the words. I think the words
walk a very, very fine line of being at times, being very much
sort of very, very dramatic and other times unbelievably
realistic. Personally, to me that's what it's all about - great
words. I like great writing, and it was clear that this was
great writing.
Would you say these characters are a little
vicious?
I don't think that they・re vicious. What you underestimate is
what you don・t see. It・s a condensed version of four years in
these people lives. In between these moments of falling in love
and splitting up, there・s an awful lot of, as we all experience,
happiness and joy and you can・t underestimate that. It・s an
amalgamation of the high points, the dramas of life. I remember
Mike describing [it] once and I think if you do look back say 10
years ago, you talk about a relationship, you say, :Well, yeah,
I met her at this garden party and anyway, four years later we
split up.; You don・t necessarily go through that whole four
years of memories, how you met, how they split up. So I think to
call them vicious is very unfair unless, indeed, we・re all
vicious, which maybe we are.
Your character sets up Clive Owen・s
character, Larry. Isn・t it vicious the way he traps Larry?
I・m not saying they・re not vicious. I・m just saying that just to
accuse them of being vicious and nothing else is not [fair].
They・re not just vicious people. There are vicious acts, indeed.
So why do you think he does that?
It・s certainly not malicious. He doesn・t know who this guy is.
He does it as a whim.
Is he trying to embarrass Julia Roberts・
character?
I think it・s fate playing evil tricks. I think it・s as simple as
him passing time, and it・s very clear that this woman is on his
mind. He dips into what he knows about, which is her name and
her haunts and her interests.
What were rehearsals like?
It was an opportunity to get to know each other, really. There
were a lot of conversations that kind of came out of the script
that sort of branched off. It was a process of learning to
understand the piece, understand Mike's overall view of the
piece, understand each other's opinions, stirring questions,
share experiences, listen to music. |